Deleted scenes, commentary, and more.

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• Super Special Features The hidden genius of The Dukes of Hazzard.
  Grady Hendrix Dec. 29, 2005
  
• The Richard Pryor Experience The most human comic of our time.
  Sam Anderson Dec. 16, 2005
  
• What Did He Say? A Cockney gangster film becomes a DVD phenomenon.
  Matt Feeney Dec. 8, 2005
  
• The "Left Behind" Movies How to end the world on a budget.
  Grady Hendrix Dec. 1, 2005
  
• Beavis and Butt-Head Reveling in the Beckett-like purity of MTV's dumb-ass duo.
  Dana Stevens Nov. 18, 2005
  
• La Haine The film that predicted the French riots.
  Matt Feeney Nov. 11, 2005
  
• Luck, Pluck, and Thuggery 50 Cent rejects the tradition of the autobiopic.
  Martin Edlund Nov. 10, 2005
  
• Star Wars: Episodes I-VI The greatest postmodern art film ever.
  Aidan Wasley Nov. 1, 2005
  
• Pinter's Second Act Forget the Nobelist's plays—watch him act.
  Mac Rogers Oct. 25, 2005
  
• Before The Squid and the Whale Noah Baumbach's early, brilliant movies.
  Matt Feeney Oct. 13, 2005
  
• The Guilty Pleasure An intellectual justification for your 17th viewing of Cruel Intentions.
  Matt Feeney Oct. 6, 2005
  
• The Best Thai Transvestite Kickboxing Film Ever Plus, a defense of the mainstream message movie.
  Charles Taylor Sept. 22, 2005
  
• The O Factor Was Owen Wilson the key to the Wes Anderson phenomenon?
  Field Maloney July 26, 2005
  
• The First 7/7 Movie In the wake of the London bombings, a look back at My Son the Fanatic.
  June Thomas July 18, 2005
  
• Kwik Stop A great indie movie that reveals everything wrong with indie movies.
  Charles Taylor July 18, 2005
  
• WB on DVD Warner Bros. is the new Criterion Collection. How the DVD label cleaned up its act (and its digital transfers).
  Fred Kaplan Feb. 28, 2005