Currin's response to Levin's outrage was something along the lines of: "You want sexism? I'll give you sexism!" A few years later he presented an instantly notorious group of paintings of women with basketball-sized breasts and faces done in craggy impasto acting out various soft-porn scenarios. Crass jokes rendered in oil on canvas, they are ostentatiously "bad paintings" done in the defiantly ironic mode of high-concept kitsch. Though the reviews were tepid, Currin got a big thumbs-up from Juggs magazine, which applauded him for "paying attention to the worthy theme of big tits."